See inside the mind of a psychopathic killer, as she works her way through several murders in the City Of York. Accompany her hand in hand as she selects her victims.
When Darkness Falls is a testament to the human fascination with the criminal mind, and the debate over whether serial killers are wither evil or mad.
Emma Humbles rated it it was amazing
Fantastic! What an excellent read......this book doesn't hold back any punches in relation to the work of both the mind and body of a psychotic serial killer within the City of York. Cleverly written to allow the reader to go on the journey with the serial killer and view her thoughts and actions from her perspective. Even when you put a piece of the jigsaw together, another twist pops up.
How the killer stages the scenes in order to lead the police along different paths is brilliant.
I just wanted the book to continue.
Sarah Graham rated it it was amazing
Wow, I started reading this book yesterday and I cannot put it down. The suspense keeps the reader guessing, from the start it is fast paced with twists and turns. I'm looking forward to the next chapter. This is one of the best books I have read, well written and descriptive, you really are inside the mind of the Yorkshire Slasher. This book truly deserves 5 stars.
5.0 out of 5 stars A Ghoulish and Fascinating Story!
By Amazon Customer on 9 May 2017
Tracy Bennett is a seemingly "normal" gal, except she's crazy, spiteful and driven by a lust to kill. She is the female version of DEXTER! Written in first person, I was able to enter Tracy's malevolent mind, which is filled with a desire to torture and murder her victims with a passion.
If you have an interest in the psychopathic psyche, this book will shock and unnerve you to the core. I was unable to put it down as the character is so driven, ghoulishly fascinating and wickedly humorous. What a character! Killing is an art for Tracy and she will not be stopped.
5.0 out of 5 stars A clever, twisty read! 2 April 2017
By Lizzy - Published on Amazon.com
Format: Kindle Edition Verified Purchase
This was an engaging thriller, narrated by a psychopathic killer who gets her thrills by creating art from the blood of her victims. The narrator’s voice is sarcastic and sadistic, keenly observant of every nuance in her midst as she plots her next murder, with the prowess of a hungry animal licking its lips in delightful anticipation.
Most of the victims work at a York department store, and as more of them are savagely killed, a tight-knit group of women fear for their own lives, scrambling to keep themselves safe. But are they unwittingly moving closer to danger?
I love books with great payoffs, and this is one of them! I don’t want to say any more. Just that it’s a really good read!
5.0 out of 5 stars Marvelously gruesome! 14 Mar. 2017
By BookReviews88 - Published on Amazon.com
Format: Kindle Edition Verified Purchase
For you thriller aficionados, Harryman delivers an intense and gory tale that places you directly inside the mind of the Yorkshire Slasher. 'I did not slash!'
I could NOT put this book down. Out of an unspeakable childhood trauma, a new woman was born. This intelligent, (dare I say) likable, beautiful psychopath will have you feeling both shocked and amused. Without revealing too much, I will say that this character has lots of 'personality'.
Extremely well written, fast-paced, perfectly descriptive, Kathleen Harryman manages to intertwine gruesome murder with sophistication brilliantly. A well deserved five stars!
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THE TERRORIST’S BULLETS had killed Yakov Barsimantov six weeks ago. The vice-consul at the Israeli embassy in Paris had just stepped from the front door of his apartment building when the assassin fired the WZ-63 machine pistol. Three slugs had slammed into Barsimantov’s chest; two penetrated his skull. The autopsy had determined that the bullet severing the diplomat’s aorta had killed him.
As Shlomo Argov, dressed in formal evening attire, left the bedroom in the Israeli ambassador’s residence in St. John’s Wood, he had no thoughts of Yakov Barsimantov or of any danger. Argov approached the possibility of death with each step and chose to stride without hesitation. The residence was constantly guarded by Israeli security, and an armed British Special Branch officer accompanied him daily whenever he left the house or embassy. Even without the security, he would not have altered his schedule or his attitude.
Argov walked into the salon where his wife, Hava, sat in her housecoat, hooking a throw rug. She gazed up and smiled.
“Thank God for the British institution of male-only dinners.”
“I wish I didn’t have to go myself. I’ll try to be early.”
The doorbell rang.
“There’s a late-night film on ITV,” Hava said. “I may still be up when you get in.”
Argov bent and kissed her, then headed for the door. At the front entrance he looked at the television monitor on the table and saw Colin, his Special Branch bodyguard, standing outside dressed in a tuxedo. Argov opened the door.
“All ready, sir?” Colin asked.
Argov saw the bulletproof embassy Volvo idling in the street and nodded to Colin. They headed to the car.
RAMZY YUSUF AWWAD placed his pen between his Walther PPK/S and the tight handwritten Arabic sheets of the short story he was writing. The perpetual lack of time and the need to move constantly for fear the Israelis would locate him had forced Ramzy to learn to develop his entire story first in his mind and then set it down once, in final form, with few corrections. His novellas and stories had swept the Palestinian world. Read by students in the refugee camp schools, where he had once taught, to those deep in the Gulf oil fields, his gun and pen promised that the struggle continued
The phone purred. Ramzy glanced at the receiver. The sounds echoed through the small room, naked except for the desk directly under the hanging light and a narrow bed in the corner. Ramzy waited until the fifth ring, the signal that he was not under duress, then lifted the receiver.
“Hello,” Ramzy said.
“We have him under surveillance.”
“He’s someplace where we can get to him?”
“Where shall I meet you?”
Ramzy quickly calculated to himself. This was the sixth month of 1982. Count six letters back from S. He looked at the circled underground stations on the subway map in front of him. M was Marble Arch. It must be one of the luxury hotels overlooking Hyde Park.
Not long before my mother died, she told me a story I’d never heard before. It was 1965, the year before she married my father. Spring had come to the Northeast nearly a season ahead of itself. By May, the fields rippled with thigh deep, green-gold grasses: sweet timothy, birdsfoot trefoil, clovers, reed canarygrass, ryegrass, and tall fescue. All the kids along Sweet Milk Road knew the species names; they were weaned on the sweat of haying, and my mother and her brother Morgan were no different.
It was a clear, bright Sunday morning—a perfect day for the first cut of the season. The fields around the farm were filled with the buzz and clang of sicklebar mowers and balers while my mother and Morgan stood toe-to-toe in a field of egg-yolk colored mustard blooms. They scrapped with one another on the strip of land between their farm and the Deitman property where no one could hear them. At first my mother laughed at her brother’s suggestion, like a late-comer for Sunday dinner who asks for the platter of fried chicken to be passed, only the plate is empty and the laughter trickles into awkward silence. She pleaded with Morgan, but he was of no mind to hear her. His decision, he claimed, was best for the family: She would marry Michael Deitman on her eighteenth birthday, and their families and land would be united, an isthmus to wealth and stability.
All of that changed when a bullet ripped through the leaves, shearing the air. Before either of them heard the sound of the report, it shattered Morgan’s breastbone and sprayed bright red blood onto my mother Lydia’s face and hair. Morgan looked at her, his eyes filled with terror, as he fell dead into the yellow mustard blossoms.
“Who did this?” I asked.
“Well.” She stammered, of course it was an accident. You have to know that, Joss. Someone was in the high birch grove shooting at the birds . . .”
I didn’t challenge her, but I wondered how she came to believe this. And who could have fired from nearly a quarter of a mile and struck down Morgan with such precision?
During those first three days before anyone else knew what had happened, my adrenaline-driven mother dragged Morgan’s body to the cottage in back of the farmhouse, and hid him in a macabre game of hide and seek—first in the closet, then under the stairwell to the cottage, and finally behind the old woodstove—all their favorite childhood hiding places. While the crows sat in the trees above and watched. On the third day she carried him to the river and washed him in the cool running water, then laid him in the tall grass.
Even when the coroner came to take him later that afternoon, she still refused to believe he was dead. She sat on the back porch all that summer rocking, worrying the floorboards for days that lingered into weeks. She did not cry or speak for months and only bathed in the river.
I think about this story as an April wind blows my red Mini Cooper along I-84 West, then tracks north along the Taconic Parkway. I try to distract myself, turning up the radio, flipping through the FM stations, but still I hear her voice.
“I had no one,” my mother told me. “My brother was the only one left, and then he was gone, too. I convinced myself that he was sitting on Heaven’s back porch. That if I waited on our rear balcony, he’d be back. I don’t know why, but I washed and ironed all of his pajamas and packed them in a suitcase. You do crazy things when you lose someone. I think that suitcase is still in one of the upstairs’ closets.”
She said she’d look for it but never did. I wonder if it’s still there. I try to push away these thoughts by doing what I always do: measure the day by road signs, or how many times I pass the same truck. An attachment from girlhood and those hopscotch counting rhymes from my school days—one-ery, two-ery, zigger-zoll, zan. . . . But on this morning I gauge my time, tapping out the minutes by heartbeat, dropped lanes, or the whirl of the car’s cozy heater and classic rock tunes buzzing in my heart like a lullaby.
It’s what my dad always did back when we all lived in the city—crank up the radio while he drove. He’d holler, “Hey, Paulie-girl! Get in the van.” With my mother scolding, “Paul! Her name is Joss Ellen—not ‘Paulie-girl!’ Not ‘Boy-o’ either!” But that name, ‘Paulie-girl,’ was lassoed around everything I knew myself to be. As a six year old, I was always ready for an adventure with my father, Big Paul.
We’d fly in that rattletrap van with the tunes blaring. He’d bring me to his tailor shop on East Forty Second between Lexington and Third. I’d jump out before the vehicle stopped, and ran through the jangling back door, hollering, “Liam, where are you?”
Liam Michaels was my father’s apprentice and an occasional guest at the farm. He’d drive upstate to play with my father’s jazz group that met there on Friday nights. I’d steal into the millhouse where they played to hear Liam’s melancholy Irish tunes flow across his fiddle strings. I used to beg him to bring his violin to the tailor shop, but he never would. He always said it wouldn’t be proper in a gent’s shop. I’d nod though I didn’t understand why, or what a ‘gents’ shop’ was.
“Liam!” I’d holler again.
“Is that you, Jossy?” he’d ask.
I could never answer fast enough. He’d scoop me up and lift me onto his shoulders, and then stand in front of the tall mirrors. I’d laugh and screech, terrified of being up so high, and hang onto his hair or squeeze my arms around his neck.
He’d cough and choke. “Tell the truth, girl! Are ya trying to kill me, or do you just like me that much?” He’d pull my hands away and grab me around my waist. “Oh my God!” he’d say. “Look at that two-headed thing in the mirror.
“It’s me, Liam,” I giggled, all the while reeling in woozy panic. My dark red curls, just like my mothers, bounced in the mirror images, and stared back at me with my father’s same grey eyes.
“There you are!” he’d point, with a goofy smile plastered across his face and a shock of black hair falling into his eyes. “How’s my girl? What are ya—on a ladder? Come down from there. I got a little bit of ribbon in my pocket I saved for ya.”
My father would barrel through the back door, yelling, “What’s going on in here? Paulie-girl, don’t bother the help!” He’d wink at me and disappear into his office.
He’d check his stock and special order sheets, and then we’d pile back into the van and charge off to the garment district. There my looming father, nearly six feet tall and wide in the shoulders, would haggle with some witless slob over the best gabardine. Daddy would reiterate his secret every time: Look them in the eye and smile, but walk away before you back down. Just be soft with every step. Once he’d get his price, he’d buy remnants of cerise or saffron taffeta to make my sister and me something for school. For Naomi, it would be a blouse with pearl buttons or a crinoline skirt, but for me he’d always fashion something man-tailored: a vest or jacket spit in my father’s image. “Stand still,” he’d say while he’d mark the fabric with chalk and pins that scratched my skin. Back then I never winced.
I’d turn slowly while my father stood, scrutinizing his work, commanding me to stop, or turn, or walk across the room as he’d watch the garment move in the swing of my arms. What emerged would be flawless: pale gray herringbone with pockets piped in apricot, a vivid lining at the pleat. In the mirror, I only saw my father’s eyes, his smile.
Back then, I thought I was special.
On Friday nights, we’d go to the Floridian on Flatbush Avenue for sweet fried smelts with lemony rémoulade sauce. The same diner he used to go to with his own Pops. “Here he comes,” some waitress named Dolores or Ronnie would shout above the din: “The dapper tailor dressed to the nines with his little one.” We’d sashay down the aisle between the tables, he in his striped shirt and red braces, a vest or jacket, shoe-shined and natty. Me in a replica—never a skirt or a bit of lace. Big Paul, square-jawed, with smoke-grey eyes that could darken instantly. would smile at the other diners as if they were his guests, always with the witty comments, tipping his fedora or porkpie, or whatever was perched on his head that evening.
We’d slip into a booth and order drinks: cherry soda for me and Cutty Sark straight up for Big Paul. Before the first sip, we’d clink our glasses while I stared in awe at the myth that was my father. And when our hot plates came out, we’d slather on that tart sauce and slide those sugary fish down our throats, barking like penguins for more. We were hungry. We were the boys out for all we could get.
The following excerpt is from a scene near the middle of Murder In Absentia. Felix finds himself on a ship attacked by pirates at night. This is one of my favourite scenes, for several reasons. First, I get to write a fight scene, and as Murder In Absentia is primarily a detective mystery there aren’t a lot of them. I have also done a lot of research into realistic sword fighting techniques, and I get to write one properly, which is always a good feeling. Second, is that as a writer I get to play with the tempo of the story. By carefully choosing words and crafting sentence lengths, I hope to evoke the feeling of urgency and breathlessness that occur within a fight. I will let you be the judge of the results.
I woke up to urgent yells from heavy slumber. Not bothering with clothes, I grabbed my dagger and ran outside to the deck. A ship larger than ours was heading straight at us under power of oars. Their crew were silent, no drums to keep pace and no shouts. That they were pirates was evident from the vessel itself. A fast and decked bireme, its prow was painted with large blue eyes, slightly slanted to give a menacing look as they stared at us. Its sail was folded and the mast down, the pirates were ready for battle and boarding. A row of men stood at the railing, armed and ready with ropes and planks.
The pirate ship was perhaps three hundred paces from us, and by their angle and equipment I knew that they did not intend to ram us, but rather angle next to us and board us. Piracy does not make profit by sinking treasures — these come from the robbery of goods, selling the crew to slavery and holding any notable passengers for ransom.
Our crew was frantic, everybody suddenly awake after last night’s celebrations. Margaritus was yelling orders, the sailors were hoisting the anchor and going to the oars. Aulus Didius looked particularly dishevelled, not yet recovered from yesterday’s enchantments, and seemed unable to focus on the events storming around him.
With two hundred paces between our ships and us barely moving, it was becoming obvious that they would gain on us and that we would have to fight if we wanted to escape capture. Margaritus had broken out the weapon stores, and the crew and divers each grabbed a tall oval shield and a short gladius, and braced on the side facing the pirate ship. I picked up a shield and grabbed the handle inside the shield’s boss with my left hand, though I elected to remain armed only with my trusty dagger.
Margaritus yelled at the remaining crew to put up the sail with the hope that Didius Rufus could conjure sufficient winds, as the oarsmen armed themselves instead to prepare for boarding. I stared out across the dark waters watching the moonlit vessel closing in on us rapidly. At this distance I could make out the individual faces of the pirates and the murderous intent written on them. I wondered what mess I had gotten myself into and whether I would live to see the morning.
With fifty paces to go, the pirates banked oars, grabbed ready bows and let a volley go. All of us in the front lines raised our shields and managed to absorb most of the volley. Only two of our men were hit, though from the quick look I cast in their direction the wounds seemed slight. Our ship did not have a means to return fire — it was not a navy vessel, and was designed for the specific operation of the divers. It relied on speed generated by its resident incantator, who unfortunately seemed in a state of battle shock like a green recruit. The lack of a proper night guard could only be blamed on Margaritus.
Thirty paces to go, and another volley of arrows. This time one man fell down when an arrow that ricocheted from a shield lodged itself in his neck. The deck became slick with the blood spurting from his wound. Margaritus was shaking Didius Rufus by his shoulders, yelling in his face to get the wind up.
Ten paces, and the pirates cast ropes with hooks onto our rails, dragging us closer. We dislodged the hooks and struck at the ropes, but within the space of a deep breath the pirate ship bumped into ours, shaking the deck under our feet. The two ships screeched like racing chariots colliding.
The pirates were upon us. With wild cries they jumped from their ship onto our deck, swinging swords, axes, hooks and clubs. I braced my shield, and as the pirate who targeted me tried to land his curved sword in a neat arc from above straight on my head I took a step back, causing him to miss his mark and forcing him to stumble as he landed, and immediately with my full weight behind the shield I jumped and slammed into him, forcing him backwards and the boss of the shield knocking the wind from his lungs, yet still with his back against the ship’s rail he tried to raise his sword to protect himself, but I knocked it aside with my shield and plunged my knife deep into his chest. His eyes widened and a gurgling, rattling sound came from his throat as he lost balance and fell overboard, splashing into the waters in the space between our ships.
What followed was a mad free-for-all battle. The pirates were ferocious, the deck was slick with blood and the air was heavy with the din of fighting, the shouts of enemies colliding and the cries of the wounded.
There comes a point in everyone's life when they realize the fairy tales they have been told are nothing but lies. A little something to help you hide from the cold darkness of the real world. Ellie learned that lesson both, early, and hard. She let go of fairy tales a long time ago. Ellie stopped believing in happily ever after and embraced that darkness. Monsters, on the other hand, she knew were quite real. The world was full of big bad wolves.
There were rampaging beasts. Horrible, cruel, and twisted freaks that had no thought for human life. Devils, who delighted in the pain they caused. Savage fiends who destroyed those tiny pockets of light, of hope, that still by some miracle managed to survive in this bleak existence. Oh yes, there was evil in the hearts of men, and all of them wear human faces.
The past eight months had been quite an eye opening experience for Elliot Jo Fredricks. She experienced pain, both physical and emotional. She cowered in fear so powerful that it gripped her heart and paralyzed her at times. The cold rock of regret still sat in the pit of her stomach. She also felt love, and that taught her just because you're a monster, doesn't necessarily make you a bad person.
Ellie sat in the dark confines of the stolen Cherokee with the creature responsible for each of those lessons. Snowflakes whipped in the car's headlights. The wind blew hard, rocking the SUV, pushing it toward the center of the deserted road. The whistling sound of it ripped through the trees. Vincent took his eyes off the passing scenery to glance at her. His eyes roiling like approaching storm clouds. He touched her hand. Ellie laced her fingers between his and gave his hand a reassuring squeeze. The shadows pushed in around them.
Vincent leaned in close, those swirling grey eyes dancing over her face. She smiled through her pain and touched her other hand to the side of his face. Slathered in dried blood, it flaked in places. The contrast made his skin look so pale in comparison. Vincent pressed a gentle kiss against her mouth. A brush of silken lips nothing more. Ellie moved wrong and winced with the ache of it. Vincent hated seeing her like this.
Bruises covered the side of her adorable, heart shaped face. They spilled over her right eye, her high cheekbone, a bit of the side of her button nose. Blood dripped from a nasty cut that peeked out of her hairline. Her long blond hair was falling out of the ponytail she wore. Vincent carefully pulled it free of the rubber band. Let it fall snarled with a few clumps of dried blood over her slender shoulders.
He gathered it, guiding it around the right side of her neck. Vincent pulled her coat open gazing in at the gunshot wound in her shoulder. It was bleeding again. The bandage covering the six-inch long cut on the outside of her thigh was holding well. Only a few half dollar sized circles of blood had seeped through. She was a mess. Vincent frowned. He looked up at the scenery flying by them. They were almost there thankfully.
Vincent caught himself staring at her. He still wasn't used to the fact that she was his. That she chose him. Couldn't get past that not only did she let him touch her without cringing in fear. Ellie demanded he lay his hands on her. Things had certainly changed within the past few months. He ran his thumb across the back of her palm, over her knuckles. The softness of her skin sent a thrill down his spine.
“You need another pain shot?” he asked in earnest, reaching across the tattered seat for her blood stained and ripped black backpack.
Ellie blinked large, apple green eyes with a ring of licking gold around her pupils. “Are you kidding, you pump me full of more of that stuff and I'll go into a coma,” she said through clenched teeth. Moving just that tiny bit sent fire curling in her chest.
“Kind of the point,” Vincent said. His thick brows came down between his lovely gray eyes in a deep V shape.
Ellie held his gaze, chewing her lip thoughtfully. Vincent sighed. He could play this game too, be just as childish, as stubborn. No. He had to take that back. There wasn't anyone he had ever known that could be quite as stubborn as Ellie. “I can barely see as it is, Vincent,” she told him. “I need to be able to aim my gun in case any of the mercs followed us.”
Even the sharp jolts that made it through the drugs couldn't stop her from flying high. Her brother was safe, sitting in the driver's seat. After eight months of dread, spilled blood and death, they had saved him. They tore him free of the vile hospital that took him from her. Experimented on him, and infected him. They turned him into a monster, not unlike the man she had come to love. The man Ellie curled comfortably against.
“You really think they're going to follow us, Squirt? You blew that place to hell,” Edward said looking at her in the rearview mirror. He gave his almost shoulder length, wheat colored hair a flip. “Take the shot, Elliot. You won't let me take you to a damned hospital take the shot.”
Ellie frowned. Happy as she was to have him out of there Edward’s need to take control was seriously getting on her nerves. After everything that happened, he seemed to think the world would fall right back into the line it followed before those mercenaries busted down their front door and stole him away from her.
Their lives were different now. She was different now. Changed irrevocably by the things she had seen. The things she'd done.
Betrayed by a friend. Loved by a stranger. Saved by a man she barely knows.
After her best friend abandons her, Savannah J. Palmer's quest for true love leaves a trail of unanswered questions. A chance meeting with a stranger offers hope of a match made in heaven, but not without consequences. At the end of her quest, an acquaintance rescues her from a disastrous fate...but is he the one she wants to pin her dreams upon?
The Black Mesa, in northwestern Oklahoma, is an enchanting backdrop for this action adventure prequel to Robert Valleau's debut novel, Mystic Dreams and Dusty Roads. It's an unforgettable story about love, betrayal and redemption during one of the most exciting times in American history -- the dawn of the twentieth century.
Book Two of The Dusty Road Chronicles.
The Russian state of Sverdlosk was the Soviet Union’s center of fringe military research during the cold war. There, terrifying biological weapons, capable of inflicting unspeakable horror, were intensively researched and developed. Every single medium and long range armament in the Soviet arsenal was repurposed to deliver these lethal agents to anywhere on the globe. The cold war eventually ended. The research did not.
Let your plans be dark and impenetrable as night, and when you move, fall like a thunderbolt.
Sun Tzu – "THE ART OF WAR"
At the next corner, pedalling toward him came an aged postman moving barely fast enough to remain upright.
‘Station Road beach, I do,’ the postman said as though preparing for conversation.
Tony was soon consuming the man’s life tale, and listening lifted him. He felt his spirit lighten, like this stranger was re-igniting what he believed was lost. Maybe these were his people after all, he thought, maybe he was closer to home than he believed: how they danced all over you, sang to you, felt you worthy of their stories, of their trust and time, and seemed not to doubt you’d feel the same for them; how they made light of the hard outer world at every opportunity, and when there was no opportunity how they invented one; they played with what others called suffering until it wasn’t suffering but something essentially good for you, a redeeming purgatory ordained by God. They seemed at one with the mill of living. And as for those he’d called liars the day before, they now seemed in some way saintly; maybe equally saints and liars. As a race, there was no denying it, these people inhabited a realm beyond him, a holy place that he might rise to, this Irishness.
‘Remember now what I told you: go past Macker’s field, bear left into Eamon’s Lane, and at the end take a sharp left and Station Road beach will be staring at you, and may God go with you because I can’t.’
Defending against the demons of the Deep has long given Tyr Og’s brethren purpose. When Tyr’s mother is robbed from him during childhood, he loses his will to live. Now, filled with rage and regret, Tyr hungers for a worthy death to bring an end to the futility of his life. In a short tale of blood and self-loathing, Tyr seeks the most honorable path to finally join his mother in the afterlife.
THE PUMPKIN ORB
As I entered the room, my grandson was jumping on my bed. He was laughing, playing and having a good time. The weather outside was awful. It had been snowing most of the morning. He was telling me to take a picture. I assumed he wanted a photograph taken of him. I couldn't have been more wrong. He pointed out the window at a very large bright orange orb floating across the yard. I was stunned, almost frozen in time. I took a couple of photographs as the orb continued to move out of view. When reviewing the photograph, I was in complete shock at what I saw. Now confusion is all that remains as I try to figure out what we just witnessed.
By: Chris King, Paranormal Researcher
Oklahoma Paranormal Research Agency
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Relic Tech (Crax War Chronicles) by Terry W. Ervin II Narrator: James Conlan Series: Crax War Chronicles #1 Published by Gryphonwood Press on 03-03-14 Genres: