A week after uncovering the secret of what really happened at the Battle of the Little Bighorn, history professor Matt Conroy was lying in a morgue with the back of his head blown off.
SFPD homicide inspector Tom McGuire, a long-time friend of Conroy’s, volunteers to assist the FBI in bringing the killer to justice. The FBI, however, is ordered to stand down for “national security” reasons.
They thought that would be the end of it. They were wrong.
Tom McGuire was not about to stand down. Not for anyone, not for any reason. That decision put him in the crosshairs of one of the world’s most secretive and dangerous organizations – an organization whose rich, powerful and ruthless members would stop at nothing to make sure their 140-year-old secret remained hidden.
Drawn into a labyrinth of conspiracies over a century old, Tom McGuire has just walked into his worst nightmare
"A first-rate thriller! Koller ratchets up the suspense in this fast-paced tale of history gone awry. Crisp writing and intricate plotting will keep you turning the pages."
The Martinez Gazette
"The Custer Conspiracy is a fast-paced crime novel, played against the backdrop of history, which races to its conclusion at a fever pitch. A must-read for fans of historical novels, with a conspiracy twist tossed in just for the fun of it."
Editor, Huron Plainsman
"Intriguing premise ..."
"Revealing a total mastery of the genre, author Dennis Koller has deftly crafted an inherently fascinating and original mystery that is a simply riveting read from cover to cover. While very highly recommended, especially for community library Mystery/Suspense collections, it should be noted for the personal reading lists of dedicated mystery buffs that "The Custer Conspiracy" is also available in a Kindle format ($6.99)."
Midwest Book Review
Other books in this genre:
Alex and Oliver live in worlds, poles apart; new worlds shaped by a terrible world war and the emerging freedoms of the Sixties. A killer stalks, and five people are drawn into the intrigue surrounding a serial murderer; a series of events set in the Seventies, influenced by the past… a string of events—a daisy chain.
Daisy Chain; an erotic thriller from the masterly pen of Mark Montgomery.
The story of the people who designed, built, launched, landed, and are now operating the Mars rover Curiosity
Award-winning science writer Rod Pyle provides a behind-the-scenes look into the recent space mission to Mars of Curiosity--the unmanned rover that is now providing researchers with unprecedented information about the red planet. Pyle follows the team of dedicated scientists whose job it is to explore new vistas on Mars. Readers will also join Curiosity, the most advanced machine ever sent to another planet, on its journey of discovery. Drawing on his contacts at NASA and the Jet Propulsion Laboratory, the author provides stunning insights into how this enthusiastic team of diverse individuals uses a revolutionary onboard laboratory of chemistry, geology, and physics instruments to unravel the profound secrets of the Red Planet.
Readers will meet: Robert Manning, chief engineer for every rover mission since Pathfinder; John Grotzinger, the chief scientist of the entire mission; Vandi Tompkins, the software designer who keeps the rover on track; Bobak Ferdowsi, famed “Mohawk Guy” from Mission Control; Adam Steltzner, the Elvis-like Entry, Descent and Landing Lead; Al Chen, chief of flight dynamics and the voice of JPL during Curiosity’s treacherous landing; and many others.
And of course, Pyle describes the adventures of the Curiosity rover itself, from landing through the first samples, drilling, and discovering a habitable past on the planet, to reaching the ultimate target: Mount Sharp, in the center of Gale Crater.
America is once again at the forefront of a new space age and Curiosity is just the beginning of many exciting new discoveries to come.
In 1866, Peter Baxter’s misfortune ends the day he leaves Badgerys Creek orphanage. Unsure of what to do next, Peter finds himself on a farm run by Mr. Brown. An aging man, Brown needs help and is happy to give Peter a place to live in exchange for his labor. Unbeknownst to Peter, Brown’s past is riddled with dark secrets tied to the same orphanage, which he has documented in a red folder.
During a chance encounter, Peter meets Rose. Peter cannot help but fall in love with her beauty, grace, and wit but fears that his affection will go unrequited as a result of his crippling poverty. But fate changes when Peter joins the search for gold in Hill End, New South Wales. Striking it rich, he returns to Rose a wealthy man. Peter is changed by his new found affluence, heading towards the mire of greed. Will Rose regret her relationship with Peter?
Meanwhile, Rose has her own troubled history. One that is deeply entwined with Brown’s past and Peter’s future.
Mr. Ellsworth sat, waiting. The telegraph whirred and clicked throughout the early morning, then one of the operators suddenly gasped and burst into tears. He looked up at Mr. Ellsworth, rose, and walked to him, holding a piece of paper. The operator's hand shook as he handed the Western Union onionskin to the waiting father. Mr. Ellsworth looked at the words, not trusting himself to read or understand their message. By the second reading, however, the communication was clear: their son, Elmer, was dead.
Shocken and shaken, Ephraim Ellsworth walked slowly back to the low-browed cottage. Now what? First h must tell Phebe that their handsome, charismatic 24-year-old son was gone--forever gone--from their lives. His merry hazel eyes and authoritative voice were stilled, his idealistic letters silenced. His highflown dreams of a career commanding men would never be a reality. A shotgun shell extinguished much of the happiness of their lives. How? Where? Why?
“Everybody came to the stable not only to celebrate our marriage, but the end of the terrible years of war. In my excitement I wasn’t hungry enough to do the meal justice but my eyes feasted on the spread. I couldn’t remember when I had last seen such an amount of dishes: plates of ham, preserves of walnuts, zucchini, aubergines and mushrooms, wild salad leaves from the meadows, sprinkled with grated truffles, roasted pigeons, pork, chickens and a whole boar. The wine flowed, faces grew redder, jokes became bawdier and then the music started. My father lifted his accordion onto his shoulder and after a rusty start, the music sang into the air. The planks that had served as tables were cleared from their supports, the leftovers tidied away into baskets to be carried home by our guests and the dancing started.
‘You’ll have to show me the steps,’ my husband whispered to me as we moved into the empty circle of smiling faces. ‘The dances are different from the ones I know.’
He clutched onto me as if he was about to fall and our first waltz wasn’t as smooth as it could have been, but it didn’t matter as the floor soon filled up with other dancers and we were swept round the room.
‘Thirsty work, this dancing,’ Norman stopped and a couple bumped into us. ‘And my leg is hurting.’ He led me from the dance floor to the corner of the stable where most of the men were congregated round barrels of wine. Some of them were already unsteady on their feet and they clapped him on the shoulders, congratulating him and pumping his hand up and down again. I watched him knock back a couple of beakers and then I joined Mamma. Just for today she had changed out of her black mourning clothes, worn since Davide’s death, but her best Sunday frock of blue polka dot hung off her and her face was sad. As I went over, she patted the empty chair beside her and I took her hand in mine. The music was too loud for talk but we both understood what lay in our hearts.”
Norman and I were escorted to our bedroom with songs and laughter. The bed was strewn with flowers and my mother had laid out her best nightdress for me on the pillow.
‘Carry her in, Norman, carry her in,’ our guests shouted.
Norman was embarrassed too and whispered that he couldn’t wait for them to leave, to be alone with me. But when we were on our own, I was suddenly afraid, remembering my mother’s words by the river.
‘I’ll leave you for a few minutes, Ines,’ Norman said.
He closed the door and I undressed, shivering a little in the cooler night air. I lowered the flame on the lamp and caught a glimpse of myself in the mirror. There had been no mirror in the bedroom I had shared with Nonna and I had never seen my naked reflection. My breast were full and the triangle of hair between my legs was obvious in the gloomy light.”
It was nearing dark, and the servants were lighting the torches while Godwine played chess with the King. They sat in Canute's favorite room—perfect for entertaining the early arrivals of the Yuletide celebration. Already, Earl Eric of Northumbria was present, tasting some of the breads at the sideboard. Tovi was in his usual place behind the King speaking quietly with two other Danes, and a musician was in the corner, plucking on a harp.
The door opened and Godwine, whose back was to the newcomer, concluded who it was from Canute's grimace. The sleek voice of Eadric Streona confirmed his guess. "Good even’, your grace. I hope you are well." All other voices in the room stopped.
Canute moved a piece, nodding an answer.
Two servants followed Eadric into the room, carrying a batch of firewood. For a moment, the sound of wood being stacked filled the silence. Then the servants left the room, bowing.
"And yourself, my Lord Eric?"
The Northumbrian Earl moved closer to the King, bending over the chess-board. "Considering the rare quiet within my earldom, I am content. And yourself, Eadric?"
Godwine heard the newcomer striding back and forth behind him. His concentration broken, the Saxon quickly turned around, watching Eadric rub his arms as though he needed more warmth. Godwine turned back to the board, but not before he noticed Eadric's mouth twitch.
"I could be better." Eadric’s tone brought Canute's head up questioningly. Godwine straightened in his seat but Canute caught his eye, nodding at the board. Eadric took a stick and poked the fire.
Taking a closer look at the Earl, Godwine noticed that his hair was unbrushed, his fingernails were cracked, his clothing wrinkled. He began pacing again, adjusting his belt.
“How is that Christmas pie?” Canute asked Eric, holding out a hand for a taste. The Dane cut a piece for him, holding it out on the edge of his knife. Taking a long time to sample it, Canute leaned back, evidently enjoying the taste. He licked all five fingers and wiped his hand on his tunic, then reached for another chess piece. Eadric stopped pacing and faced Canute, his arms crossed over his chest.
"And what might be the problem?" The King's voice sounded appropriately concerned.
"My earldom is restive,” he started slowly. "The populace has not yet recovered, the revenues are poor, and the people are hungry."
"That is a pity."
"More the pity that the King does not concern himself with their troubles."
"I see," said Canute, interested. "And what of the exemption I gave them from this year's taxes?"
Closing his eyes, the other gestured as if it were nothing.
"Eadric, this is not what is bothering you."
Stopping, the Earl glared at the King, unable to hide his antipathy. He came to the table, leaned over it. Godwine could smell alcohol on his breath.
"All right. I believe that I deserve better than this. You have given me the most devastated, the poorest earldom in the kingdom. You exclude me from your council. You treat me like a stranger. After all I have done for you."
"And what is it that you have done for me?"
Eadric straightened up, crossing his arms again. He took a deep breath. "You know damned well.”
Intrigued, Canute gave Eadric his full attention. "I know damned well,” he repeated softly.
The tension between them was so strong it felt as though there were only two people in the room. Everyone knew Canute was at his most dangerous when he was totally quiet. But Eadric seemed beyond caring.
“Ask Edmund Ironside, if you could."
Godwine gasped aloud, more in amazement at the man's blatant admission of the deed than its actuality. Even Canute had paled. Getting slowly to his feet, he faced Eadric so fiercely that the other stepped back.
"Then you shall get everything you deserve. You killed your own lord! My sworn brother! Your own mouth has pronounced you a traitor; let the blood be on your head.
"Eric, dispatch this man, lest he live to betray me as well."
The Earl of Northumbria was not loth to obey. Pulling an axe from his belt, the man moved purposefully toward his enemy, narrowed eyes reflecting his satisfaction with Canute's command.
For a moment, Eadric froze, unbelieving. Then his instinct for survival gained sway, and he pushed the table over, making a dash for the door.
But Godwine blocked the way—Godwine, this nonentity, who had barely rated his acknowledgment. The Saxon was standing with legs apart and drawn sword, opposing his exit.
Preferring to die under the blade of an equal, Eadric whirled, pulling his sword. But he was already too late. Eric's axe head was making its deadly arc, and Eadric's blade came up uncertainly, not even delaying the impact of the edge as it cleanly severed his head from his body.
Canute had been watching from the fireplace. "Throw the wretch's carcass from the window, into the Thames."
Eric was glad to do so. He had hated the Earl, and saw this as a fitting end to a despicable career. Seizing one of the convulsing legs, he dragged the body across the floor, oblivious to the gushing blood. Stooping, he hoisted the corpse onto the sill and dumped it unceremoniously into the river.
Godwine stared at the disembodied face, as it gawked back at him. Then he grabbed the hair and came up behind Eric, flinging the head through the window and far out over the water.
As he listened for the inevitable splash, Godwine felt an eerie satisfaction; at least this once, he had done his part in wreaking revenge on the betrayer of Edmund Ironside, and possibly his own father way back in 1009.
Both bloodied Earls turned to Canute, who had observed the scene dispassionately. "Thank you. You have done me a great service."
Godwine controlled his trembling with an effort. "You drove him to it, didn't you?"
"You might say that. Although I was expecting his demands in a more rational form...and at a better time." He glanced at the horrified servants, who were huddled at the newly opened door. "Yes, come in, come in. As you can see, it is time we met the queen in the great hall and started our celebrations in earnest. Send for some water and buckets and take care of this mess.
"Oh, and come, my friends. Let me arrange for some clean tunics before you present yourselves."
“Mornings were steel edged now, water on the village font ice-crisp. Instead of clear blue skies, tatters of clouds stuck fast between firs on the mountain slopes and leaves on the beech trees dropped yellow and rust to the forest floor. Some days our village floated upon a sea of clouds, forming an island, heralding the separation from the rest of the world that winter would bring.
Before I drifted into sleep, I lay on my sack mattress stuffed with dried corn-cob leaves and contemplated the stars. I wondered if the sky would look the same down on the Maremma plains. It was time to leave.
Tomorrow the men and older boys would be setting off. Boots had been mended; in fact I had lost count of how many old shoes I had studded with nails to help them last the eight-day journey down mule tracks and dusty mountain roads. Paolo, our neighbour, had a new pair of goatskin breeches and had proudly shown me his stick, whittled from chestnut wood in the evenings by his fireside. On one end he had skilfully worked a hook to yank necks of wayward sheep. Rossella, his wife, had wrapped chunks of pancetta in cloth and he had bought himself a sturdy green umbrella from the fair at Ranco.
I believed Mamma had no inkling I would soon be gone. Part of me felt bad; she wanted me hear her now she understood our brother, Francesco, was never coming back from the battle of Asiago. One of the shepherds who had come to have his clogs repaired told us the newspapers had reported the deaths of 147,000 men. And all for what? At the seminary, during a geography lesson, Fra Alonso had shown us the range of mountains called Altopiano where the battle had been fought. I remember hoping, for my brother’s sake, that those mountains were as beautiful as the Apennines he had left behind here. On the newly-erected monument in the square in Badia Tedalda, when everybody had disappeared after the commemoration service, I had crouched down and run my fingers over the raised letters of my older brother’s name: Francesco Tommaso Starnucci. I wanted to feel close to him, have some sort of connection. But instead all I felt were twenty five cold, metal shapes.
Since the episode with Fra Domenico, I vowed never to return to the seminary in Arezzo and I’d been making secret preparations. I removed Nonno’s moth-eaten wool cloak from the wooden trunk at the end of my parents’ high matrimonial bed. I’d been squirreling away morsels of pecorino cheese and wild boar sausage whilst Mamma wasn’t looking and wrapping them in a rag in readiness for my departure. And nothing was going to stop me.”
When Nelson Mandela was imprisoned in South Africa’s brutal Robben Prison, he tirelessly turned to the poem Invicitus. The inspirational verse was by the Victorian William Ernest Henley, penned on the occasion of the amputation of his leg. Still I Rise takes its title from a work by Maya Angelou and it resonates with the same spirit of an unconquerable soul, a woman who is captain of her fate. Just as Invicitus brought solace to generations so does the contemporary classic. It embodies the strength of character of the women profiled. Each chapter will outline the fall and rise of great ladies who smashed all obstacles, rather than let all obstacles smash them. The book offers hope to those undergoing their own Sisyphean struggles. The intrepid women are the antithesis of the traditional damsels in distress; rather than waiting for the prince they took salvation into their own hands.
Women celebrated in the book include Madame C. J. Walker-first female American millionaire, Aung San Suu Kyi-Burma’s first lady of freedom, Betty Shabazz-civil rights activist, Nellie Sachs-Holocaust survivor and Nobel Prize recipient, Selma Lagerlof-first woman Nobel Laureate, Fannie Lou Hamer-American voting rights activist, Bessie Coleman-first African-American female pilot, Wilma Randolph-first woman to win three gold medals, Sonia Sotomayor-first Hispanic Supreme Court justice, Wangari Maathai-Nobel Prize winner, Winnifred Mandela-freedom fighter, Lois Wilson-founder of Al-Anon, Roxanne Quimby-co-founder of Burt’s Bees.
From the Book:
"Still I Rise
Maya Angelou, 1928 - 2014
You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.
PROJECT ORION: WE COME IN PEACE (WITH NUCLEAR BOMBS!)
[DECLASSIFIED IN 1979]
It could have been just like the movies. Specifically, the soppy sci-fi melodramas of the 1950s, those humorless, grim-faced sagas of men (always white Americans), square-jawed and broad of shoulder, who faced that Great Unknown, outer space (cue the reverb) with stoicism and Yankee guts. The troupe of six to twelve individuals were usually clad in faded blue jumpsuits (probably because they were all of military bent, possibly US Air Force)—no space suits or helmets for these guys; worrying about decompression is for sissies. These were steely-eyed, anvil-chinned rocket men. The heroes would walk up a ramp or climb a ladder into the great, gleaming, cigar-shaped silver rocketship (a long-lost term widely used in the early 1950s) without assistance or fanfare—in that sunny postwar era, it took only a handful of servicemen and a few elderly scientists to launch a manned rocket. Once inside, the crewmen would close a submarine-style hatch, strap themselves into great steel chairs, take one last look around their girder-festooned, capacious cabin (1950s rocketship flight decks were the size of your average New York bachelor pad and built like battleships), nod silently to the eldest of the bunch (usually wearing colonel's eagles), who would then push the button. This was inevitably a large red push button, marked in true military parlance with something like "IGNITE ROCKETS" or more simply "FIRE!" and off they would go into the Wild Blue Yonder, while on the ground (in a similarly military posture, perhaps within a Quonset hut in New Mexico), a few worried guys in white lab coats watched a twelve-inch radar screen with a huge white dot ascending. A handful of servicemen usually stood nearby, looking vacuously at meaningless blinking lights dancing on their consoles. A single computer, the size of a small RV, would click and whir nearby. This was Space Command (or some other imagined, militarized NASA precursor) after all.
Upon reaching space, the colonel would grasp an ice cream cone–sized microphone cabled to the control panel, and as he looked in awe at a receding Earth on the giant "televisor" screen, he'd announce in dour tones, "This is spaceship X-1. We are in outer space." It was all very dramatic and thematically colorless. If you don't believe me, check out the classic 1950s cinematic space extravaganzas The Conquest of Space or Destination Moon, staples of the genre. Be sure to watch closely during the launch scenes, as the actors' faces are distorted by the horrifying, and as yet little understood, g-forces of launch. Within moments the 737-sized, single-stage craft was in space—no dawdling in orbit—heading in a straight line for the moon or Mars. It's all very humbling and fun, in a deadly serious fashion.
To be fair to the pioneering producers of these epic motion picture dramas, little was known of spaceflight before the 1960s, and sci-fi movie budgets were puny. Few movie studios took the genre seriously, and it's amazing that these innovative moviemakers pulled off what they did, given the general lack of respect these drive-in, Saturday matinee potboilers gained for them.2 But as we now know, the dramatic scenario outlined above is not exactly how human spaceflight turned out.
But it could have been.
The Apollo lunar landing program, initiated shortly after these types of films were made, mandated a different approach. NASA's moon rocket, Wernher von Braun's masterpiece, would be a multistage affair, operating right at the edge of its weight-lifting capability. NASA's first plan was to ascend directly to the moon, land, then, after a suitable period of exploration, return to Earth, shedding stages at appropriate junctures. But this brute-force methodology would have required a truly massive rocket (it was to be called Nova, and was much larger than its successor, the Saturn V), well beyond the means at hand. A bit more planning and a lot of innovative thinking resulted in the moon program we all remember, with the still-massive 363-foot Saturn V rocket propelling a tiny capsule and lander to the moon, of which only the thirteen-foot-wide capsule returned. It took hundreds of thousands of people to build it, thousands to launch and operate it, and somewhere north of twenty billion 1960s dollars to finance it. Apollo was a far cry from the rocketships of the movies.
But there were alternative plans for a massive, battleship-sized single-stage spacecraft that could have flown to the moon and beyond. In its ultimate form, this behemoth would have dwarfed the motion picture versions. A hundred or more crewmen, leaning back in space-age versions of Barcaloungers, would have departed Earth with enough fuel, life support, and supplies to reach the moon, Mars, or even Jupiter and Saturn within months. Once in space the crew would have unbelted themselves and had far more room to drift, eat, work, and sleep than the International Space Station and even most modern submarines offer. It would have been like a well-appointed office complex in space, a true space liner—this majestic craft could have unlocked the entire solar system to exploration within the decade. And best of all? It was atomic.
The massive spaceship was called Project Orion (no relation to the modern shuttle-replacing spacecraft beyond the cool name), and it would have been a nuclear-powered behemoth. Orion was first formally conceptualized in a 1955 study by Stanislaw Ulam, a Polish American mathematician who was part of the Manhattan Project in WWII, and Cornelius Everett, working from notions that Ulam had first pondered soon after WWII. Besides working on the bombs dropped on Japan, Ulam was, along with Edward Teller, a prime mover on America's first hydrogen bomb project. Soon after completing his work on H-bombs, Ulam formalized his thoughts about nuclear rocket propulsion. Other work was being done on atomic rockets, but was less dramatic—these projects involved superheating a fuel mass, such as liquid hydrogen, inside a fission reactor to eject it at high speeds out of the rocket nozzle. While much more efficient than the chemical rockets being designed by von Braun and others, it was not the massive leap in propulsion that would take humanity to the stars. Ulam had a different idea—nuclear pulse propulsion, which was not fully declassified until 1979.3 From the abstract:
Repeated nuclear explosions outside the body of a projectile are considered as providing means to accelerate such objects to velocities of the order of 106 cm/sec.4
Yes, that's right. Rather than fiddling around with rapidly expanding heated gasses with a nuclear reactor, Ulam took the most direct path to high energy release: nuclear explosions. Ulam had been mulling this over for more than a decade, reasoning that chemical rockets were terribly constrained by both the mass of the fuels and the temperatures at which they could realistically operate. Other proposals to detonate tiny nukes inside combustion chambers (one proposal suggested a chamber diameter of 130 feet, or almost four times the diameter of the Saturn V), while an improvement over chemical rockets, were deemed impractical, and did not offer a large enough increase in performance to impress Ulam. But what if the combustion chamber could be eliminated altogether and a small nuke simply detonated in open space? A percentage of the energy released by a reasonably sized nuclear explosion—not specified in the paper, but probably on the order of a half to one kiloton (about 10 percent that of the Hiroshima bomb)—would nudge a nearby spacecraft with propulsive force that, while brief, would be enormous.
Ulam characterized the spacecraft as an unmanned thirty-three-foot diameter, disk-shaped ship, with a mass of twelve to twenty tons. It would experience an acceleration of up to 10,000 g (the Apollo astronauts, riding atop the Saturn V, maxed out at just under 5 g, though the rocket was capable of more)—hence the unmanned nature of the design. Human occupants would have been turned into puddles of red jelly within moments. This robotic probe would carry dozens to hundreds of bombs, to be released at roughly one-second intervals (accompanied by a disk of plastic or container of water that would vaporize when the nuke ignited, to enhance the effect), and the resulting force of these continual explosions would propel the craft forward—right now.
Ulam was concerned about the heat impinging on the base of the craft, and suggested that a magnetic field might help to shield the spacecraft from the high-energy, one-millisecond flashes.
This was about as far as he got—it was a short study, but an intriguing one, and did not go unnoticed. In 1955 a new company called General Atomics was founded. It was a subdivision of General Dynamics, a huge defense contractor and builder of military submarines. General Atomics would specialize in efforts to harness the recently liberated power of the atom—in effect, their mission would be to find profit in nondestructive uses of atomic fission. The company became involved in a number of ventures, including a commercial nuclear reactor power generator, which was widely deployed. They also became interested in Ulam's classified paper (to which the chiefs of the company were apparently privy), and decided to pursue a serious study of the completely theoretical ideas within. Thus was born Project Orion, the nuclear pulse spaceship.
June 15, 1865
Lily sat on her horse looking intently south, up the valley. The mountains blocking their path to the west, endless prairies as far as the eye could see behind them. They had joined a large wagon train at Fort Laramie and were into their second day on the Oregon Trail. The train was turning right, headed to the north, away from the valley and toward the mountain passes discovered by the mountain men decades before.
“What’s this valley called?” Lily asked the scout riding alongside.
“Doesn’t have a name I know of, ma’am. Maybe Chugwater? I’ve heard some call it that after Chugwater Creek way up the valley,” pointing to the south and east of where they sat.
“How far to Denver City from here?”
“Denver City’s about due south of here, ma’am. If you were a bird, you could fly there in a little less than two hundred miles.”
“Thanks. And the name’s Lily, not ma’am. Lily Smoot.”
She trotted over to the wagon. Gus was driving. John swaying up and down in a Cheyenne cradleboard on his back. Lincoln was riding alongside. As in the previous train, he had taken the job of getting children up and down the back of the wagon to ride with Auggy the bear.
“This is it, Gus,” she said.
“Look all around. This is the valley Iliff told us about. The greatest ranchland ever.”
The two men looked around at the gentle hills to the base of the mountains, the trees green in the few creek beds to the south of them. A sea of ravines hidden among the hills all the way to the looming mountains in the western distance.
“Must be quite a sight when it’s covered with buffalo,” Lincoln said.
“It’d be an even better sight covered with our cattle,” Gus said.
“Iliff told us we wouldn’t last a week up here,” Lincoln said. “The Cheyenne and Sioux aren't even crazy about the wagon trains headed west through here, but they’ve agreed to give them free passage as long as nobody stays.”
As if on cue, two of the scouts trotted over.
“Gus,” one of them said. “Craziest thing. There’s a group of Indians approached us from the west when we made the turn to the north. The scouts said they came in peace. They asked if we had a wagon with a big black bear on it.”
Lily looked out to the west. Toward the magnificence of the mountains. And Mount Laramie towering over all. On a hill above the pattern of threaded ravines, about two miles away, she could just make out a small group that looked to be two of the wagon train’s scouts with three Indians.
“What’d you tell them?” Gus asked.
“I said we’d go look and see.”
“You got anybody who’ll drive our wagon for a while?” Gus asked.
“Sure. You going out to see what they want.”
“We know what they want,” Lily said.
Chat with Authors
As a boy I read Somerset Maugham... I imagined myself on a hill in the Mediterranean writing a great novel... I do write on a...
I was an awkward, lonely, little girl. Books were my company. I started reading early, and began making up fantastical stories when I was quite...
My grandfather. For as long as I can remember, my Papa has told stories. I knew I wanted to tell stories too, just like my...
Reading books and listening to song lyrics from a young age inspired me, and like all writers, I write on the backs of every author...
Hop on Lenka's List Bandwagon
Welcome to this edition of Words For Thought , the blog on wordrefiner.com . Like many of the previous blogs we are looking at homophones.
https://www.gofundme.com/teamfistbump Note: All underlined words are links to the sites I am currently discussing. Team Fist Bump (#teamfistbump) is on a mission: These journals are
Periodically, ForeignCorrespondent participates in virtual book tours that allow authors to showcase their books to a broader audience. Today I am hosting fellow RRBC/RWISA author