Alex and Oliver live in worlds, poles apart; new worlds shaped by a terrible world war and the emerging freedoms of the Sixties. A killer stalks, and five people are drawn into the intrigue surrounding a serial murderer; a series of events set in the Seventies, influenced by the past… a string of events—a daisy chain.
Daisy Chain; an erotic thriller from the masterly pen of Mark Montgomery.
Other books in this genre:
Step into the fictional town of Bucksdale Mississippi, where you'll meet the riveting character of ELLANECE MOSLEY, a woman who fronts as a home and property flipping realtor, but in reality, is a psychotic serial killer, who stalks men and lures them to their death, with her beguiling methods. Throughout this TALE OF THE MURDEROUS SOUTHERN BELLE, along with Ellanece's victims, you'll also meet the town's detectives, JASPER LEWIS and TRACI HARMON. After seemingly getting away with her first murder, of one DENNIS HENDERSON, she knows that time is running out for her, in the small town. So she employs the help of various other contractors, to help her complete her real estate investment. One of the helpers being a young man by the name of, JUSTIN HOWARD, winds up falling head over heels for his deadly but charming employer, ELLANECE, who decides to set him up, to take the blame for another murder that she plans on committing. Will ELLANECE get away with it all? Or will the combined forces of JUSTIN HOWARD, and the detectives of Bucksdale, be able to stop her, and deliver the justice that is long over due for this Murderous Southern Belle.
A compelling true story about a young man who ventured on the wrong path despite a mother’s best efforts to keep him on the straight-and-narrow path. This honest collection of memoirs written by Charles Carpenter while in the confines of California’s notoriously violent state prison (New Folsom) depicts Mr. Carpenter’s early years and details what led to his membership with the faction of Crips known as “Tray-Five-Seven.”
The book explains how a young man became fixated on a life of crime and through a distorted perception, viewed the gang subculture as a normal way of life. The Charles Carpenter story is a brutally honest account of his experiences in various juvenile facilities during the 1980’s and the members of various gangs he met during his unfortunate stints of incarceration.
Big Mo nodded his head slowly, his eyes rolling. “That’s right, Shooter, me old mucka,” he said. “You’ve finally got it... have a gold star.” He gave a mirthless chuckle, pausing before delivering the punch line with perfect comic timing. “Strange, though, because the way you’ve been acting I can only assume you believe my head buttons up the back.”
Everything was still, silent for a moment, the only sound that of laboured snorts coming from the prisoner, who was trying to clear the blood from his airwaves.
“Wh... what sh’you mean?” Shooter stuttered eventually.
“Ripping me off,” said Mo. “I know what you took away from that Holland Park raid. You owe me a lot more – a couple of grand, I reckon – and it’s a bloody cheek you’ve held out on me after I tipped you off to the opportunity. Don’t you know there’s a recession on? I got a wife and kid to feed, with another on the way. I’m sorry Shooter, truly. You always seemed a loyal soldier and a good mate, but now I’ve got to make an example of you. I can’t afford people thinking I’m a soft touch. Seems no one can be trusted these days. Handsome? Keep hold of him. Cozza, get Reg, would you?”
“Oh shit. No!” pleaded Shooter. “Not Reg. Look, I’ll make it up to you. Pay you extra, if that’s what you want. Do another job especially for you. It wasn’t on purpose, honest, I’d never do that to you, Mo, you know that. I must have miscalculated is all I can think. I’ve always been useless at maths...”
Chuck let out a whimper. He didn’t know what it was all about but he didn’t like seeing his daddy so cross. Big Mo looked at him and winked as if to say, “It’s all right son, none of this is real”. Chuck told himself what he was seeing was a magic trick, the red stuff on Shooter’s face not blood but tomato sauce, like he had at home on his chips.
HOURS later Chuck was in bed, crying himself to sleep. Big Mo told his wife the youngster was overtired. They had popped into the pub after their ‘bit of business’, just to take the edge off things, and Chuck had fallen asleep. Beryl Dolan looked at her husband.
“You’ve made him a part of it, haven’t you?” she said. “I asked you, even begged you, but you couldn’t help it. You had to ‘toughen him up’. I can only guess what you’ve been up to. You took that... thing... with you. I can see the blood. There’s a stain on my carpet and a trail on the tiles in the hall.”
Big Mo looked out from beneath his thick, black, caterpillar eyebrows, pushing his hand wearily through the bristles on his head. He didn’t feel like justifying his actions. It had been a long day. He had done what he had done, and in his mind he had made the right call. A row with the missus was the last thing he needed.
Lifting himself from his favourite armchair, Mo reached over and switched on the television, turning up the volume to dissuade his wife from carrying on with the conversation. A well-dressed man was standing in front of a weather map pointing at various areas of the country, but Mo wasn’t interested.
Bending down slowly, he picked up the three-foot length of wood he had propped beside him on the sofa. Noting the dark stains for the first time, he vowed to rub it down with a hot, damp cloth in the morning to get rid of any ‘evidence’. Shame. To his way of thinking it just added to the character, like when you had a champion conker as a kid and the more messed up it looked, the more scars it had, the more you knew it had done its job. Walking out through the sliding glass-partition doors, he swung the sawn-off curtain pole at his side, the spherical ball on the end reflecting the light. Resting it gently against the wall in the corner of the small parlour room, he patted it affectionately.
“Night, Reg,” he said.
Ladies and Gentlemen of the jury. The Butcher has been caught and her trial is set. She’s going to show Jake and his team of detectives that it doesn’t matter if she is in prison, she can still get to anyone and to prove this, she hires some help to throw a wrench into the prosecution’s case by taking out some of the witnesses they have lined up. You will hear testimony that Jake and his team are assigned to protect the witnesses, however The Butcher’s associates get to a few of them, so Jake and his team are forced to rescue them. As they try to keep the witnesses safe, Ashaki, the new A.D.A who is assigned The Butcher’s case, is kidnapped and tortured. Can Jake and his team find her in time to try The Butcher’s case and put her away for the crimes she committed or will The Butcher escape and continue to grow her criminal empire in Avalon City?
Gary sat alone in a cell. He could hear others shouting insults through the bars at each other, a mixture of Welsh and Cockney voices. The custody sergeant and one of the arresting officers had been swapping stories of how it had kicked off big time after the match, with fighting all the way from Upton Park to Paddington. Those arrested represented the tip of the iceberg.
Squeezed into a police van, Gary had been denied the return of his walking stick by the arresting officer, who just laughed. “So you can use it on me? Not likely mate, that’s an offensive weapon, that is.” At the station Gary was booked in by the custody sergeant, who made jibes about his “hardness” and asked him if he had anything to say. He was going to protest his innocence, but figured it would fall on deaf ears.
As time passed he sensed his situation was becoming more serious. Scenes of Crimes officers wandered around and he noticed one had his walking stick in a protective plastic covering. Bit late for that, he thought, remembering the way it had been manhandled from him by the cop at the scene. At one stage he heard a couple of thick Welsh accents shout a word that sent a chill through his bones. “Murderers!”
What could they mean? Had someone been killed? Who? Every week there were battles between warring fans but rarely were they fatal. Gary had always considering football rucks a laugh. You could end up with a few war wounds but they earned you extra kudos when you showed them off in the pub later. A life lost, though? A loved one not returning to their parents, wife or kids? That was going too far.
Finally a key rattled in the lock and two police officers came in, roughly hauled him up and dragged him, limping, to an interview room. A tall, stern-looking man with thick black hair was waiting, a tape recorder at his side. Gary was pushed down in the chair opposite and waited for the man to finish reading the papers in front of him. He felt edgy, as if he was being deliberately kept in the dark about something. He rubbed the troublesome knee, which had been throbbing constantly ever since the fight. The officer looked up. “You OK?”
“I’ve got a busted knee. It can be a bit painful.”
“Perhaps you shouldn’t be running around the streets of east London fighting Welshmen, then,” suggested his interrogator. Gary ignored the jibe. “My name’s Detective Inspector Ashley Wilburn. This initial interview is beginning at 8.30pm. Your name is?”
“Gary… uh, Gary Marshall. Do I need a solicitor?”
“We’ll get to that. This is just a preliminary chat. You’re one of the Boxer Boys?”
“Um, no. Not really.”
“You don’t seem sure. You live on the Boxers Estate though?”
“Well… yeah, but…”
“I think you qualify as a Boxer Boy then, don’t you? Care to tell me what happened after the match today, Gary?”
“Hammers won 2-0.”
“It was three actually, but I wouldn’t expect you to know that. Too busy looking for trouble…”
“That’s unfair,” said Gary. “I was heading home with my mates when we were attacked and chased by Cardiff fans. I can’t run because of the leg and they caught me and gave me a good kickin’. End of story.”
“Hmmm,” said Inspector Wilburn. He leafed again through the papers. “Wasn’t quite the end of the story though, was it?” he said, removing a picture and placing it in front of Gary. “Recognise him?”
The face was battered and bruised and splattered with blood, a nasty gash spreading across the forehead. The eyes were closed. Their owner could have been asleep, resting peacefully, though the pillow was tarmac and the blanket made of black plastic.
“No,” said Gary. “One of those Cardiff yobs I guess…”
“He’s dead, Mr Marshall,” interrupted the Inspector. From beneath the desk he lifted Gary’s walking stick, still enshrined in the plastic evidence bag. Gary’s heartbeat quickened, but he said nothing. “Your ‘crutch’, I do believe and, look here,” his finger pointed at the bottom where a dark smear was clearly visible. “That, Mr Marshall, is blood; this man’s blood,” he tapped the picture. “Now I’m no Cluedo expert but I believe I’ve found the body and the murder weapon. All I need to do now is find out who our Professor Scum is. That shouldn’t be a problem either because we’ve some pretty good CCTV footage from one of the local shops. They show a man in a West Ham shirt… come to think of it a shirt exactly like that one you’re wearing – a No 10 on the back – bashing this poor bloke over the head with this stick. Refresh your memory, Mr Marshall?”
Gary looked back into the earnest, unblinking eyes. “Can I have a solicitor now?” he asked.
Betrayed by a friend. Loved by a stranger. Saved by a man she barely knows.
After her best friend abandons her, Savannah J. Palmer's quest for true love leaves a trail of unanswered questions. A chance meeting with a stranger offers hope of a match made in heaven, but not without consequences. At the end of her quest, an acquaintance rescues her from a disastrous fate...but is he the one she wants to pin her dreams upon?
The Black Mesa, in northwestern Oklahoma, is an enchanting backdrop for this action adventure prequel to Robert Valleau's debut novel, Mystic Dreams and Dusty Roads. It's an unforgettable story about love, betrayal and redemption during one of the most exciting times in American history -- the dawn of the twentieth century.
Book Two of The Dusty Road Chronicles.
Mandy Carter, the pretty 18-year-old cart girl, is found buried in a sand trap at an upscale country club in New England. Who clubbed her to death … and why? That’s the question haunting Detective Abby Sanders, whose own teenage daughter looks so much like the victim they could have been sisters. A former competitive golfer herself, Abby quickly lets the country club crowd know that no one is above suspicion.
Who killed the cart girl?
- Mandy’s devoted boyfriend, Josh, the son of a wealthy plastic surgeon and his snobbish wife who live on the golf course
- Josh’s mother, who thought the cart girl wasn’t good enough for her son
- Josh’s former girlfriend who hated Mandy
- The attractive golf pro who flirts with anyone in a skirt and has an endless supply of tasteless jokes
- His jealous country club wife who is the city golf champion
- The female assistant pro who hates the head pro and wants to play on the golf tour
- The college golf star who is as competitive as she is beautiful
- A caddy at the club who was vying for Mandy’s affections
- The victim’s brother, a college student who got Mandy the job at the club
- The aging proprietor of The 19th Hole snack bar, who has some secrets in his past?
Not long before my mother died, she told me a story I’d never heard before. It was 1965, the year before she married my father. Spring had come to the Northeast nearly a season ahead of itself. By May, the fields rippled with thigh deep, green-gold grasses: sweet timothy, birdsfoot trefoil, clovers, reed canarygrass, ryegrass, and tall fescue. All the kids along Sweet Milk Road knew the species names; they were weaned on the sweat of haying, and my mother and her brother Morgan were no different.
It was a clear, bright Sunday morning—a perfect day for the first cut of the season. The fields around the farm were filled with the buzz and clang of sicklebar mowers and balers while my mother and Morgan stood toe-to-toe in a field of egg-yolk colored mustard blooms. They scrapped with one another on the strip of land between their farm and the Deitman property where no one could hear them. At first my mother laughed at her brother’s suggestion, like a late-comer for Sunday dinner who asks for the platter of fried chicken to be passed, only the plate is empty and the laughter trickles into awkward silence. She pleaded with Morgan, but he was of no mind to hear her. His decision, he claimed, was best for the family: She would marry Michael Deitman on her eighteenth birthday, and their families and land would be united, an isthmus to wealth and stability.
All of that changed when a bullet ripped through the leaves, shearing the air. Before either of them heard the sound of the report, it shattered Morgan’s breastbone and sprayed bright red blood onto my mother Lydia’s face and hair. Morgan looked at her, his eyes filled with terror, as he fell dead into the yellow mustard blossoms.
“Who did this?” I asked.
“Well.” She stammered, of course it was an accident. You have to know that, Joss. Someone was in the high birch grove shooting at the birds . . .”
I didn’t challenge her, but I wondered how she came to believe this. And who could have fired from nearly a quarter of a mile and struck down Morgan with such precision?
During those first three days before anyone else knew what had happened, my adrenaline-driven mother dragged Morgan’s body to the cottage in back of the farmhouse, and hid him in a macabre game of hide and seek—first in the closet, then under the stairwell to the cottage, and finally behind the old woodstove—all their favorite childhood hiding places. While the crows sat in the trees above and watched. On the third day she carried him to the river and washed him in the cool running water, then laid him in the tall grass.
Even when the coroner came to take him later that afternoon, she still refused to believe he was dead. She sat on the back porch all that summer rocking, worrying the floorboards for days that lingered into weeks. She did not cry or speak for months and only bathed in the river.
I think about this story as an April wind blows my red Mini Cooper along I-84 West, then tracks north along the Taconic Parkway. I try to distract myself, turning up the radio, flipping through the FM stations, but still I hear her voice.
“I had no one,” my mother told me. “My brother was the only one left, and then he was gone, too. I convinced myself that he was sitting on Heaven’s back porch. That if I waited on our rear balcony, he’d be back. I don’t know why, but I washed and ironed all of his pajamas and packed them in a suitcase. You do crazy things when you lose someone. I think that suitcase is still in one of the upstairs’ closets.”
She said she’d look for it but never did. I wonder if it’s still there. I try to push away these thoughts by doing what I always do: measure the day by road signs, or how many times I pass the same truck. An attachment from girlhood and those hopscotch counting rhymes from my school days—one-ery, two-ery, zigger-zoll, zan. . . . But on this morning I gauge my time, tapping out the minutes by heartbeat, dropped lanes, or the whirl of the car’s cozy heater and classic rock tunes buzzing in my heart like a lullaby.
It’s what my dad always did back when we all lived in the city—crank up the radio while he drove. He’d holler, “Hey, Paulie-girl! Get in the van.” With my mother scolding, “Paul! Her name is Joss Ellen—not ‘Paulie-girl!’ Not ‘Boy-o’ either!” But that name, ‘Paulie-girl,’ was lassoed around everything I knew myself to be. As a six year old, I was always ready for an adventure with my father, Big Paul.
We’d fly in that rattletrap van with the tunes blaring. He’d bring me to his tailor shop on East Forty Second between Lexington and Third. I’d jump out before the vehicle stopped, and ran through the jangling back door, hollering, “Liam, where are you?”
Liam Michaels was my father’s apprentice and an occasional guest at the farm. He’d drive upstate to play with my father’s jazz group that met there on Friday nights. I’d steal into the millhouse where they played to hear Liam’s melancholy Irish tunes flow across his fiddle strings. I used to beg him to bring his violin to the tailor shop, but he never would. He always said it wouldn’t be proper in a gent’s shop. I’d nod though I didn’t understand why, or what a ‘gents’ shop’ was.
“Liam!” I’d holler again.
“Is that you, Jossy?” he’d ask.
I could never answer fast enough. He’d scoop me up and lift me onto his shoulders, and then stand in front of the tall mirrors. I’d laugh and screech, terrified of being up so high, and hang onto his hair or squeeze my arms around his neck.
He’d cough and choke. “Tell the truth, girl! Are ya trying to kill me, or do you just like me that much?” He’d pull my hands away and grab me around my waist. “Oh my God!” he’d say. “Look at that two-headed thing in the mirror.
“It’s me, Liam,” I giggled, all the while reeling in woozy panic. My dark red curls, just like my mothers, bounced in the mirror images, and stared back at me with my father’s same grey eyes.
“There you are!” he’d point, with a goofy smile plastered across his face and a shock of black hair falling into his eyes. “How’s my girl? What are ya—on a ladder? Come down from there. I got a little bit of ribbon in my pocket I saved for ya.”
My father would barrel through the back door, yelling, “What’s going on in here? Paulie-girl, don’t bother the help!” He’d wink at me and disappear into his office.
He’d check his stock and special order sheets, and then we’d pile back into the van and charge off to the garment district. There my looming father, nearly six feet tall and wide in the shoulders, would haggle with some witless slob over the best gabardine. Daddy would reiterate his secret every time: Look them in the eye and smile, but walk away before you back down. Just be soft with every step. Once he’d get his price, he’d buy remnants of cerise or saffron taffeta to make my sister and me something for school. For Naomi, it would be a blouse with pearl buttons or a crinoline skirt, but for me he’d always fashion something man-tailored: a vest or jacket spit in my father’s image. “Stand still,” he’d say while he’d mark the fabric with chalk and pins that scratched my skin. Back then I never winced.
I’d turn slowly while my father stood, scrutinizing his work, commanding me to stop, or turn, or walk across the room as he’d watch the garment move in the swing of my arms. What emerged would be flawless: pale gray herringbone with pockets piped in apricot, a vivid lining at the pleat. In the mirror, I only saw my father’s eyes, his smile.
Back then, I thought I was special.
On Friday nights, we’d go to the Floridian on Flatbush Avenue for sweet fried smelts with lemony rémoulade sauce. The same diner he used to go to with his own Pops. “Here he comes,” some waitress named Dolores or Ronnie would shout above the din: “The dapper tailor dressed to the nines with his little one.” We’d sashay down the aisle between the tables, he in his striped shirt and red braces, a vest or jacket, shoe-shined and natty. Me in a replica—never a skirt or a bit of lace. Big Paul, square-jawed, with smoke-grey eyes that could darken instantly. would smile at the other diners as if they were his guests, always with the witty comments, tipping his fedora or porkpie, or whatever was perched on his head that evening.
We’d slip into a booth and order drinks: cherry soda for me and Cutty Sark straight up for Big Paul. Before the first sip, we’d clink our glasses while I stared in awe at the myth that was my father. And when our hot plates came out, we’d slather on that tart sauce and slide those sugary fish down our throats, barking like penguins for more. We were hungry. We were the boys out for all we could get.
Colin McMillan sat in the car outside the flat and stared at the window. More than once he started to get out and changed his mind. The light was on. She was there; he’d seen the curtain move an hour ago. Since then there had been nothing. For two months he had tried and failed to have a conversation with his estranged wife. Joyce didn’t want to speak to him and hung up as soon as she heard his voice.
Without her, the house in Bearsden where they had lived for fifteen years, was just bricks and mortar; rooms filled only with memories of them as Colin and Joyce: The McMillans.
On their last night together they’d made love in the dark. And in the dark, Joyce was more demanding than he had ever known her. She devoured him, scratching his back and beating her fists on his chest, like a trapped animal trying to escape. When it was over she turned away, sobbing quietly into the pillow. Because she had known.
The following evening, McMillan returned to find his wife gone, leaving him confused and unhappy and alone to wonder what he had done wrong.
Since then, he had drifted through days that became weeks then months, paralysed with sorrow; unable to come to terms with it. He had been here on other nights, hoping she would talk to him and at least tell him why.
The edge of the curtain drew back a fraction. For a couple of seconds, a face peered down at him. Or did it? He couldn’t be sure. It had been a long and difficult day in theatre dealing with a series of complicated deliveries; the surgeon was exhausted. Seeing what he wanted to see, maybe. So he waited, afraid of causing a scene, knowing it wouldn’t help. After twenty minutes, he came to a decision. Whatever the problem was it could be put right. He had to have one last go at saving his marriage.
McMillan got out of the car.
His footsteps echoed in the stairwell. A lonely sound. At the top he stopped. The door of the flat was open. He called. ‘Joyce! Joyce! Joyce it’s me!’
McMillan went inside, along the hall and into the lounge at the end. There was no sign of his wife. He tried a bedroom. Nobody there. Not in the kitchen either. In the second bedroom he found her and his world fell apart.
Joyce was hanging from a cupboard door. She had cut an electrical cable off something and used it as a makeshift noose. Her features were distorted by the agony endured in the minutes before she died. Saliva trickled from her mouth and a viscous strand of mucous hung from her chin, like the beginning of a spider’s web. The tip of her tongue poked from between her teeth below bulging eyes that didn’t see.
The books she’d been standing on lay scattered on the floor and her arms were by her side, pushed tight inside the belt she had been wearing so she wouldn’t be able change her mind. Joyce McMillan hadn’t wanted to save herself.
Colin McMillan ran to his wife and threw himself around her waist, sobbing like a child. He eased her lifeless body off the door and carried it into the lounge. On the couch he placed a pillow beneath her head and ran his fingers tenderly through her hair.
What kind of hell had she been in to do this?
The answer was on the coffee table. Three crisp pages slipped under a half-finished cup of tea, still warm. Joyce’s small unhurried hand explained all her husband hadn’t understood, and more.
At the end she had written ‘I’m so sorry. Forgive me. Please.’
Reading it broke McMillan’s heart. It hadn’t been passion that final night – it was despair. When he finished, he was crying. He turned off the light and sat staring into the darkness, drained of every emotion except hate. Joyce’s face, horribly twisted in her final moments, would be with him for as long as he lived. He loosened his tie with a trembling hand. Eventually, he folded the sheets of paper and put them in his jacket pocket, reached for the telephone and dialed 999.
Prologue The Little Louisiana Pageant, Whitfield Centre, Baton Rouge Timmy Donald waited to be introduced; he wasn’t nervous. Timmy was a round-faced cherub, kiss-curled and confident. A tiny robot programmed to perform, and at five, already a veteran. The MC gave him a big build-up. ‘From East Baton Rouge, a homeboy paying his tribute to one of the greatest entertainers of all time … Timmy Donald!’ The red velvet curtain parted, leaving Charlie Chaplin in the spotlight – lost, unsure and vulnerable. Timmy played it to a T, cocking his head to one side, leaning both hands on his stick. The face of a comic genius gazed out of the golden light. A single note gave him his key, and the spot followed the diminutive performer through a show of stagecraft beyond his years. A piano track, played without finesse, tinkled in the background. Timmy brought the walking stick into action in vintage Chaplinesque. He scrunched his shoulders and tipped his bowler, letting it run down his arm, a weak smile revealing the courage of the little tramp beset by cruel misfortune. He sang “Smile,” and the audience loved him. At the end of the song, he twirled, walked his “Charlie” walk and shuffled towards the back of the stage. The spotlight died, the curtains closed, the lights came up. Timmy’s father was pleased. All the hard work, the day after day rehearsals, had paid off. That trick with the hat had taken months to get right. Worth it, though. ‘You can’t put it out if you don’t put it in,’ Tom Donald reminded his son every chance he got. The old jazz musicians’ maxim about the value of practice appealed to him. Timmy’s performance shouted its truth. He was the winner for sure. Everybody said so.
‘We can’t find him.’ Claudine Charlton couldn’t believe it. It had been going so well. A good crowd. No hiccups. No tantrums. Even one or two who might have something. Not as good as the Chaplin kid but not bad. She watched Alec Adams giving out instructions. He’d been with her for years, from the very first contest, and she would be first to admit that when it came to stage-management, there was nobody better. They had been married once, a very long time ago. Claudine never let herself forget that he was a snake. Alec shook his head. ‘No sign.’ ‘Did you ask his parents?’ ‘His father thought we had him.’ In a room off to the side, the judges sat round a beat-up table, drinking coffee. Claudine didn’t knock. The interruption took them by surprise. ‘We have the final result, Claudine.’ ‘Who won?’ ‘The little boy.’ ‘Forget it. He’s out of the running. We need another decision and fast. Bump everybody on a place; that’ll give us a new winner. Stick any of them in third, it doesn’t matter. The cowgirl, the crowd liked her, she’ll do. OK? Two minutes.’ ‘But she was awful.’ ‘No.’ Claudine stared the objector down. ‘She was third.’ Alec met her behind the stage. ‘Cops are here. And the father. Somebody needs to speak to him.’ ‘What? Oh, yeah.’ She ran a hand through her hair in quiet desperation. ‘What do I tell him? What can I say?’ ‘Reassure him.’ ‘You do it. You speak to him.’ ‘It’s your show, and I’m busy. You’re the boss, remember?’ She hurried towards a guy in an ill-fitting suit – had to be a cop – talking to Timmy’s father. Uniforms covered the stage door; the front was already closed. ‘Mr Donald, Claudine Charlton.’ Timmy’s father was too upset to reply. She placed a comforting hand on his arm and spoke to the policeman. ‘I’m in charge. What do you need to know?’ ‘When did you notice the kid was missing?’ The policeman glanced at Tom Donald and walked-back his tactless question. ‘I mean, when did you notice Timmy was missing?’ ‘Twenty minutes ago. He was one of the last to go on. Once they’ve done their thing, the contestants stay in the dressing rooms. No wandering around until we announce the winners.’ ‘Sounds fine. So how come he’s gone?’ ‘Wish I knew.’ The detective gave an order to a sergeant. ‘Start interviewing. We needID, names and addresses. It’s going to be a long night.’ Claudine said, ‘Is there anything I can do?’ ‘Start looking.’ ‘What about the show?’ He didn’t answer her. ‘Shouldn’t we go with the final ceremony? Keep it normal’ ‘Good idea. Finish the thing. Nobody’s going home for a while.’ One hour later, a locked store cupboard in a back room was the only place that hadn’t been searched. The detective wasn’t prepared to wait for a key; he barked his instructions. ‘Break it open.’ Two uniforms forced the door. The wood frame cracked and splintered and gave under the pressure. In his career, the cop had come across plenty of bad stuff; that didn’t make it easier. The colour drained from his face, and he knew he’d been doing this shit for too many years: time to take the pension, kick back and go fishing. But for now, he was the officer in charge, so he made himself look at the horror guaranteed to keep him awake at night long after he’d turned in his gun and badge. Stuffed in at the back, on top of paint pots and dustsheets, was a broken Charlie Chaplin doll that used to be Timmy Donald. And so, it began.
Chat with Authors
As a boy I read Somerset Maugham... I imagined myself on a hill in the Mediterranean writing a great novel... I do write on a...
The inspiration for 'The Worst Man on Mars' came after a chance meeting with top British scientist and author Mark Roman.
Coming to a fork in the road is what inspired me. At that time I basically became a walking dead man. Prison had hardened me....
There was no blinding flash of light, no epiphany moment as such. I have always enjoyed writing, be that school projects, internal memos at work...
Hop on Lenka's List Bandwagon
An Unbidden Visitor by Dianne Ascroft Narrator: Elizabeth Klett Published by Self-published on 11-21-17 Genres: Fiction , Historical Length: 32 mins Source: Audiobookworm Buy on
Summary by Blogging for Books: In the burned-out, futuristic city of Empire Island, three young people navigate a crumbling metropolis constantly under threat from a